Vocal
hey, Maudie (2023/24) opera for 5 singers and ensemble | 40′
opium songs (2021/23) for countertenor and piano | 6’
behind God’s back (2022) chamber opera for 3 singers and 6 players | 18’
the 19 turkeys (five POSITIVE reasons) (2018) for voice with band | 8′
Chamber
strobe (2025) for mixed quartet | 15’
surface and sediment (2023) for guitar, bass clarinet, contrabass, fixed and live electronics | 25’
elliptical (2023) for saxophone and ensemble | 6’
warp and weave (2023) for string quartet | 7’
still life with imaginary objects (2022) for piano quartet | 5’
floating, heavy, liquid, pink (2019) for mixed septet | 7’
Solo
bleed (2024) for violin and playback | 6’
re//FLEX (2022) for ‘cello and playback | 10’
in half dreams (2020) for trombone and playback | 6’
Large Ensemble
hailing (2015-17, rev. 2021) for orchestra | 11’
in white (2017) for chamber ensemble | 4′
movement (2015) for large wind ensemble | 4′
Community
seven mercies (2022) community song cycle | 50’
a time of gifts (2022) for choir | 6’
some days the sun is elusive (2022) for choir (SAB) | 4’
blue cloud house (2022) for children’s choir | 5’
About Artworks
surface and sediment (2023) for guitar, bass clarinet, contrabass, fixed and live electronics | 25’
collaboration with painter Gregory Howard
floating, heavy, liquid, pink (2019) for mixed septet | 7’
response to Roni Horn’s Pink Tons
still life with imaginary objects (2022) for piano quartet | 5’
response to Sheila Hicks’ Torsade I
seven mercies (2022) community song cycle | 50’
response to the 15th-century murals of Pickering Church
in white (2017) for chamber ensemble | 4′
response to JAM Whistler’s Symphony in White III
With Electronics
strobe (2025) for mixed quartet, fixed and live electronics | 15’
bleed (2024) for violin and playback | 6’
surface and sediment (2023) for guitar, bass clarinet, contrabass, fixed and live electronics | 25’
re//FLEX (2022) for ‘cello and playback | 10’
in half dreams (2020) for trombone and playback | 6’
Collaborations
hey, Maudie (2023/24) opera for 5 singers and ensemble | 40′
collaboration with visual artist Rachel Jones and poet Victoria Adukwei Bulley
surface and sediment (2023) for guitar, bass clarinet, contrabass, fixed and live electronics | 25’
collaboration with painter Gregory Howard
behind God’s back (2022) chamber opera for 3 singers and 6 players | 18’
collaboration with librettist Emma Harding
seven mercies (2022) community song cycle | 50’
collaboration with librettist Emma Harding
dial.LOG (2022) dance film | 15′
collaboration with choreographer Daniel Davidson and director Pierre Tappon
Joseph Howard 